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      <image:title>Reviews - "Phantom Bodies: The Human Aura in Art"</image:title>
      <image:caption>Frist Center for Visual Arts — Nashville, TN Number, Inc (85)</image:caption>
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      <image:title>Reviews - ".PNG: Portable Nature Graphics"</image:title>
      <image:caption>Southside Art Gallery — Oxford, MS Number, Inc. (84)</image:caption>
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      <image:title>Reviews - "In Time We Shall Know Ourselves: Photographs by Raymond Smith"</image:title>
      <image:caption>Ogden Museum of Southern Art — New Orleans, LA Number, Inc. (87)</image:caption>
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      <image:title>Reviews - "Ben Butler: Intervals and Disturbances"</image:title>
      <image:caption>University of Mississippi Museum — Oxford, MS Number, Inc (84)</image:caption>
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      <image:title>Reviews - "Elisa da Silva: Collaborative Catharsis"</image:title>
      <image:caption>Ohr-O’Keefe Museum of Art — Biloxi, MS Number, Inc. (83)</image:caption>
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    <loc>https://www.johnduncanbass.com/writing</loc>
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    <lastmod>2020-06-22</lastmod>
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      <image:title>Writing - Projecting Success (2016)</image:title>
      <image:caption>"Examining the performed identities of two contemporary artists—Fahamu Pecou and Jake Patterson—demonstrates how artists occupy “structures of visibility” traditionally reserved for performing celebrity in traditional and non-traditional media."</image:caption>
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      <image:title>Writing - The Branding of the Nation: Commercial Nationalism and Shanzhai Culture in Miao Ying’s Chinternet Plus: A Counterfeit Ideology (2018)</image:title>
      <image:caption>An abridged version of this essay was delivered at the ASIA//TECHNICS symposium in Chicago, USA, April 13, 2019.</image:caption>
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      <image:title>Writing - 1:1 (2019)</image:title>
      <image:caption>Catalog essay for the exhibition Nanna Rosenfeldt-Olsen: My Object Becomes the Shadow of Their Object at Pixlart, Copenhagen, Denmark. Additional essays by Natalie Koerner (DE) and Frederik Rørmann Jørgensen (DK). Published by Spine Studio and Kulturaftale Nordjylland.</image:caption>
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      <image:title>Writing - Gilles Deleuze &amp; Gucci Mane: Minor Literature becoming meme (2017)</image:title>
      <image:caption>"Jumping on the Deleuzian academic-bandwagon, let’s ask Gilles for some insight on Gucci Mane."</image:caption>
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      <image:title>Writing - A Vessel, a Veil (2019)</image:title>
      <image:caption>Essay published on the occasion of the exhibition A Vessel, a Veil: New Works by A. Faysal Altunbozar and Martha Poggioli at Space p11, Chicago, USA.</image:caption>
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      <image:title>Writing - Portraits of a Post-Internet Society (2015)</image:title>
      <image:caption>"Yung Jake’s use of emoji as a medium, viral images of internet celebrities as subjects, and an exploitation of this celebrity status as a means of artistic dissemination enters the series into contemporary debates regarding language, identity and attention economics."</image:caption>
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      <image:title>Writing - Consensus on the Canon: Towards a Historiography of New Media (2019)</image:title>
      <image:caption>Derived from one chapter of my Master’s thesis, this essay was delivered at RE:SOUND - the 8th International Conference on the Histories of Media Arts, in Aalborg, Denmark, August 19–23, 2019.</image:caption>
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      <image:title>Writing - Anechosis (2018)</image:title>
      <image:caption>Essay originally published in Rehearing/Rehearsing, an artist’s book/catalog published on the occasion of the exhibition William Wiebe: Chekov’s Gun at 062 Gallery, Chicago, USA. Additional essays by Daisy Charles (UK), Daniel Uncapher (US), and William Wiebe (US).</image:caption>
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      <image:title>Writing - ATS@50: Art and Technology Studies 1969–2019 (2019)</image:title>
      <image:caption>Co-edited with Eduardo Kac. Includes the original essay “Disruptive Generation.” Additional essays by Lee Blalock, John Dunn, Peter Gena, Eduardo Kac, Judy Malloy, Judd Morrissey, Dominique Moulon, Sonia Landy Sheridan, Jacob Tonski, Joan Truckenbrod, Steve Waldeck, and Stephen Wilson. Published by the School of the Art Institute of Chicago, 2019.</image:caption>
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    <loc>https://www.johnduncanbass.com/within-receding-horizons-1</loc>
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    <lastmod>2020-06-22</lastmod>
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      <image:title>Within Receding Horizons</image:title>
      <image:caption>Installation view of Within Receding Horizons, Sullivan Galleries, Chicago, IL.</image:caption>
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      <image:title>Within Receding Horizons</image:title>
      <image:caption>María José Karaman, El Patio de Pili, 2017–18. Image transfer on fabric, bleach solution, steel cable, AM/FM radio, FM transmitter, found washcloths, pine, PVC pipe.</image:caption>
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    <image:image>
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      <image:title>Within Receding Horizons</image:title>
      <image:caption>María José Karaman, El Patio de Pili, 2017–18. Image transfer on fabric, bleach solution, steel cable, AM/FM radio, FM transmitter, found washcloths, pine, PVC pipe.</image:caption>
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      <image:title>Within Receding Horizons</image:title>
      <image:caption>Martha Poggioli, Tent Dress, 2015/18. Custom garment, local soil samples, performance documentation.</image:caption>
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      <image:title>Within Receding Horizons</image:title>
      <image:caption>Installation view of Within Receding Horizons, Sullivan Galleries, Chicago, IL.</image:caption>
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    <image:image>
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      <image:title>Within Receding Horizons</image:title>
      <image:caption>Wanbli Gamache, Son/der, 2018. Wood, bricks, water, fluorescent lights, microcontroller, audio recording of live performance.</image:caption>
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      <image:title>Within Receding Horizons</image:title>
      <image:caption>Wanbli Gamache, Son/der, 2018. Wood, bricks, water, fluorescent lights, microcontroller, audio recording of live performance.</image:caption>
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    <image:image>
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      <image:title>Within Receding Horizons</image:title>
      <image:caption>Aden Solway, Colombo, 2018. Opium poppy (Papaver somniferum, juvenile), aluminium sheeting, aluminum conduit, steel, extruded glass, saline solution, Canadian Legion memorial poppy, poppy seeds, inkjet prints.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592797948122-6UBWDFUKPWC8ZQFU14IB/soloway_aden_within_receding_horizons_100918_0128.jpg</image:loc>
      <image:title>Within Receding Horizons</image:title>
      <image:caption>Installation view of Within Receding Horizons, Sullivan Galleries, Chicago, IL.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592797325871-RHSWMIP18L558G0LDOCH/poggioli_martha_within_receding_horizons_100918_0139.jpg</image:loc>
      <image:title>Within Receding Horizons</image:title>
      <image:caption>From left to right: Martha Poggioli, Ata &amp; Emma, 2018. ‘Emma’ washing detergent, ‘Ata’ washing detergent, detergent sample, detritus sample, Two Person Brush (made in collaboration with Die Imaginare Manufaktur, Berlin); Martha Poggioli, Scrub Harder, 2018. Video collage (color, sound), 3:12 minutes.</image:caption>
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      <image:title>Within Receding Horizons</image:title>
      <image:caption>Nihat Karataşlı, HEY M*N, 2017. 3D-printed sculpture, digital animation (color, sound), 6:40 minutes.</image:caption>
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      <image:title>Within Receding Horizons</image:title>
      <image:caption>Installation view of Within Receding Horizons, Sullivan Galleries, Chicago, IL.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592797255948-N2B1VYVZDJNBXBNA3N81/DSC03079.jpg</image:loc>
      <image:title>Within Receding Horizons</image:title>
      <image:caption>Daniel Salamanca, works from the series Uyuni’s Dilemma, 2018. From left to right: Sand Clock (hourglass); Phosphenes; Jamais Vu; Past Present Witness.</image:caption>
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      <image:title>Within Receding Horizons</image:title>
      <image:caption>Daniel Salamanca, Jamais Vu (detail), 2018. Projection on laser print.</image:caption>
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    <image:image>
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      <image:title>Within Receding Horizons</image:title>
      <image:caption>Installation view of Within Receding Horizons, Sullivan Galleries, Chicago, IL.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592797937439-X4ULUP5CPDUPFYJC3VP5/karaman_maria_jose_within_receding_horizons_100918_0069.jpg</image:loc>
      <image:title>Within Receding Horizons</image:title>
      <image:caption>Front: María José Karaman, El Sol Busca Su Sombra (The Sun Seeks Its Shadow), 2018. Steel, coal slag, oak, felt. Back: Parvin Peivandi, Mosaic Mirror, 2018. Site-specific installation, acrylic, steel.</image:caption>
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    <image:image>
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      <image:title>Within Receding Horizons</image:title>
      <image:caption>Installation view of Within Receding Horizons, Sullivan Galleries, Chicago, IL.</image:caption>
    </image:image>
    <image:image>
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      <image:title>Within Receding Horizons</image:title>
      <image:caption>Sera Chen, The Naturalness, 2017–18. Five-channel video installation including original animation, original video, found footage, house plants.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592797409555-0GOTKDSERLEF7Y4UCKW6/solway_aden_within_receding_horizons_100918_0076.jpg</image:loc>
      <image:title>Within Receding Horizons</image:title>
      <image:caption>From left to right: Aden Solway, Capitulation (Wall), 2018. Clay, beet skin.; Aden Solway, Internal Geometry, 2018. Copper, hydrogen cyanide (inert).; Aden Solway, Zhyd (1 &amp; 2), both 2018. Jerusalem stone, MDF, Prussian blue pigment, latex paint, clay, beet skin.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592797544075-CHBCXSNZQTM3YR3K34LX/soloway_aden_within_receding_horizons_100918_0038.jpg</image:loc>
      <image:title>Within Receding Horizons</image:title>
      <image:caption>Installation view of Within Receding Horizons, Sullivan Galleries, Chicago, IL.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592797085933-UFB9RJE0POVN4ONPK58F/within_receding_horizons_100918_0027.jpg</image:loc>
      <image:title>Within Receding Horizons</image:title>
      <image:caption>Parvin Peivandi, Ways of Civilizing II, 2018. Steel, wax mold.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592797085990-R9PCOI9LGALHVX0TKQVZ/within_receding_horizons_100918_0006.jpg</image:loc>
      <image:title>Within Receding Horizons</image:title>
      <image:caption>Installation view of Within Receding Horizons, Sullivan Galleries, Chicago, IL.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592797376408-M1EFGP84UL6VAXMDNZT0/li_xindi_within_receding_horizons_100918_0048.jpg</image:loc>
      <image:title>Within Receding Horizons</image:title>
      <image:caption>Xindi Li, Mirror, 2017. Video (color, sound), 10:32 minutes.</image:caption>
    </image:image>
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  <url>
    <loc>https://www.johnduncanbass.com/a-vessel-a-veil</loc>
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    <priority>0.75</priority>
    <lastmod>2020-06-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592801791301-L1UVE17R4CUL81BQP1JA/P11_20190524_110.jpg</image:loc>
      <image:title>A Vessel a Veil</image:title>
      <image:caption>Installation view of A Vessel, a Veil: New Works by A. Faysal Altunbozar and Martha Poggioli. Photo by Nathan Keay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592803667869-OW8CGE7CT3CYHPKHOWV1/P11_20190524_097.jpg</image:loc>
      <image:title>A Vessel a Veil</image:title>
      <image:caption>A. Faysal Altunbozar, Vase No. 2 (lamb), 2019. Hand-polished steel, various flowers. Photo by Nathan Keay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592803315578-AB9ZYGQHHHHGU9QWD463/P11_20190524_082.jpg</image:loc>
      <image:title>A Vessel a Veil</image:title>
      <image:caption>A. Faysal Altunbozar, Vase No. 2 (lamb), 2019. Hand-polished steel, various flowers. Photo by Nathan Keay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592802538330-OUEOMVTDW26SSZOJP2IC/P11_20190524_014.jpg</image:loc>
      <image:title>A Vessel a Veil</image:title>
      <image:caption>A. Faysal Altunbozar, fluid structures, 2019. Reflective vinyl letters (site specific, dimensions variable). Photo by Nathan Keay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592801743188-K2M8CE0SGA8SFUYLNK61/P11_20190524_015.jpg</image:loc>
      <image:title>A Vessel a Veil</image:title>
      <image:caption>A. Faysal Altunbozar, fluid structures, 2019. Reflective vinyl letters (site specific, dimensions variable). Photo by Nathan Keay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592802046237-UE1C3GJVJSUNWD9X1VVO/P11_20190515_016.jpg</image:loc>
      <image:title>A Vessel a Veil</image:title>
      <image:caption>Installation view of A Vessel, a Veil: New Works by A. Faysal Altunbozar and Martha Poggioli. Photo by Nathan Keay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592802087051-YMWXKOQFCQFV1PH3KJCE/P11_20190515_066.jpg</image:loc>
      <image:title>A Vessel a Veil</image:title>
      <image:caption>Martha Poggioli, Partial Replica from J.S. Milne (Plate LI), 2019. Bronze, wood, acrylic fiber. Photo by Nathan Keay.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592803297456-YB6LAB4TGLOZQA9SI07Z/P11_20190524_022.jpg</image:loc>
      <image:title>A Vessel a Veil</image:title>
      <image:caption>Martha Poggioli, Mesh Simulation — Boston Scientific, 2019. Silicone. Photo by Nathan Keay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592803298734-B95PTT0PTBWRK4PWGLMQ/P11_20190524_032.jpg</image:loc>
      <image:title>A Vessel a Veil</image:title>
      <image:caption>Martha Poggioli, Mesh Simulation — Boston Scientific, 2019. Silicone. Photo by Nathan Keay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592801756852-T7AYXR0ABMGCU1TEMTY6/P11_20190524_036.jpg</image:loc>
      <image:title>A Vessel a Veil</image:title>
      <image:caption>Martha Poggioli, Hofmann’s Figs (Patent Numbers #US65382, #US98769, #US307944), 2019. Polyurethane. Photo by Nathan Keay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592802058213-9BHWBL3KBVWGVF7Q0SW7/P11_20190515_040.jpg</image:loc>
      <image:title>A Vessel a Veil</image:title>
      <image:caption>Installation view of A Vessel, a Veil: New Works by A. Faysal Altunbozar and Martha Poggioli. Photo by Nathan Keay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592803269045-01ZMGO1MAB18TCIU7QGM/P11_20190515_008.jpg</image:loc>
      <image:title>A Vessel a Veil</image:title>
      <image:caption>A. Faysal Altunbozar, Shell no. 11, 2019. Bluetooth chip, ceiling tile, fiber optic cable. Photo by Nathan Keay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592801754945-9CAJWXYYJZI389BXLE5P/P11_20190524_037.jpg</image:loc>
      <image:title>A Vessel a Veil</image:title>
      <image:caption>A. Faysal Altunbozar, Study for a vase, 2019. Screen print on cotton paper. Photo by Nathan Keay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592801767647-PU3YF1YHV8W8KH2NKDIK/P11_20190524_047.jpg</image:loc>
      <image:title>A Vessel a Veil</image:title>
      <image:caption>A. Faysal Altunbozar, Pearling, 2019. Chromed plumbing pipe, aircraft cable, automatic rolling balls. Photo by Nathan Keay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592801769435-WTRSB03KXMQEWBG1B4X9/P11_20190524_049.jpg</image:loc>
      <image:title>A Vessel a Veil</image:title>
      <image:caption>A. Faysal Altunbozar, Pearling, 2019. Chromed plumbing pipe, aircraft cable, automatic rolling balls. Photo by Nathan Keay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592801781223-B3NESPPMGP4SQTRM7YY2/P11_20190524_051.jpg</image:loc>
      <image:title>A Vessel a Veil</image:title>
      <image:caption>A. Faysal Altunbozar, Pearling, 2019. Chromed plumbing pipe, aircraft cable, automatic rolling balls. Photo by Nathan Keay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592802068786-HJINM8XYTGT2T3WEFAEN/P11_20190515_042.jpg</image:loc>
      <image:title>A Vessel a Veil</image:title>
      <image:caption>Installation view of A Vessel, a Veil: New Works by A. Faysal Altunbozar and Martha Poggioli. Photo by Nathan Keay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592801711818-20YI3RN0OYGQY4B5TRW7/P11_20190524_003.jpg</image:loc>
      <image:title>A Vessel a Veil</image:title>
      <image:caption>Martha Poggioli, Possible Monument for Ruth W Munro (Patent #US2049270), 2019. Silicone, polyurethane, steel. Photo by Nathan Keay.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/59270a85c534a50b06ebfb7f/1592802075021-BXHF78F6SLNE3888KDKZ/P11_20190515_049.jpg</image:loc>
      <image:title>A Vessel a Veil</image:title>
      <image:caption>Installation view of A Vessel, a Veil: New Works by A. Faysal Altunbozar and Martha Poggioli. Photo by Nathan Keay.</image:caption>
    </image:image>
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